A chamber play, involving only two actors […] is difficult by its very nature to decode onto the stage. In this too, Michal has succeeded – more so perhaps than she expected. This was also the impression received by one of the judges of the Margalit Prize, who laid down in his notes that “Michal Govrin’s preparatory work, and her devotion to the aim in view – have brought about a contribution of the first class to the work of a fascinating theatre, rich in colors and subtle shades.”
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